I started taking improv classes a year ago. After Jesse and some friends began classes a few months earlier, I sensed that I would also enjoy the experience. I'm not sure why -- maybe I just wanted to learn what they were talking about. I didn't have a strong desire to perform, and I certainly didn't expect to be funny. I know myself well enough to know that I'm not funny, nor do I even like comedy very much. In fact, I often watch most comics in a stance of belligerent defense: "So you think you can make me laugh? Well, just try, idiot." It's an area to which my hospitality rarely extends. Still, I started Level 0 with neither good nor bad expectations. I just simply made the choice to do it. I'm forever thankful that I did.
In the spirit of my favorite warm-up game "Seven Things," here are seven things I've learned from improv:
1) Focus on the present: I've always been a future-oriented person, skipping over the very moment to dwell on what I need to do next. Improv requires that I listen, watch, and let a moment happen. I can't plan ahead, nor can I go back and correct something. That's really liberating.
2) Put all of your energy into other people: In our lives, no matter how conscious we are of others, it remains hard to put them first, especially in a high stakes situation. There is a fierce temptation in improv to be the person to say the thing that gets the reaction, the laugh, the applause. But improv teaches us to give gifts and support others. Once I forget about myself and put all my energy into the others on my team, the result is right, even if it isn't the best show in the universe. I'm not always successful in this area, but improv is great training for continually sending loving kindness to others and working to make them shine.
3) Be honest and vulnerable: Paging Brene Brown, here! I've linked much of my reading of her books to my experience in improv. Brown discusses how so much of our daily routine involves putting on armor to shield ourselves from shame, vulnerability, fear, fatigue, and self-loathing. It is exhausting, right? In improv, we come to each other in vulnerability and honesty. We must. If there is a falsehood among us, then it will tear down the whole team. I think that in our jobs and daily lives, we often cling to images of ourselves that aren't real -- the whole "fake it 'til you make it" idea of success. Improv has shown me that you cannot fake it. You just have to get in the arena (thank you, Brene!) and commit to your best/worst self.
4) Get past obvious thinking: In improv, we rely on the audience for a suggestion. That suggestion does not need to be taken at its most literal level. In fact, often the most literal representation of that suggestion can take the scene nowhere. If I get a suggestion like "roller skates," and then I just start to act like I'm on roller skates, I have bypassed relationship with my scene partner. In such a case, I'm more concerned about a thing than a person -- never a good idea. Instead, if I take "roller skates" and think of "roller rink," then "lady's choice," then "date" -- boom! Now we can have a couple on a date. We don't even need to be in a roller rink -- maybe we are outside in the parking lot or at the karaoke bar inside or buying popcorn at concessions. Going beyond the immediate, obvious thing is more interesting, and it is usually more grounded in honesty and relationship.
5) The golden rule is really "Yes, and...": Most people have heard this improv "rule," even if they have never taken an improv class. It seems easy enough, right? To anything your partner says, answer "Yes, and..." And yet how many times do we "Yes, but..." in daily life? Always. We have been acculturated and programmed to "Yes, but..." our lives away. We take away from others instead of adding to what they have. We dismiss harmony in favor of validating scarcity, tell others of what we lack rather than contributing what we have. Improv reminds us to "Yes, and..." others and add to what we all have. And, and, and.... what a loving conjunction! After a year of improv, I still find this first rule the hardest to learn, but I'm working on it.
6) Letting go: Once a scene is over, you let it go. Once a show ends, you let it go. To perform for an audience may create anxiety and fear, but it also produces bravery and joy. In every thing we do, we tend to replay it all in our "monkey minds," but we will no longer return to that time, that moment, or that event. In improv, a scene disappears with an edit, in an instant. We observe it, learn from it, accept it, and let it go.
7) The approval of others is not the goal: Anyone can gain the approval of others if you play the game of pandering or lying. We always fear that our most honest selves will not warrant approval for some reason. So we often aim to win others over by allowing dishonesty into the equation, even if it's in small amounts. In improv, we are also tempted by dishonesty by going for the easy joke, grabbing for low-hanging fruit, or (as I learned from Susan Messing), "dropping our shit" by not staying true to a character. I often sense that characters choose me instead of the other way around. If I force myself away from my first movements or thoughts, I'm giving into dishonesty. I might think, in a flash second, "No one will like this character!" or "This will be really funny!" and pow! -- I'm made myself a panderer for the audience. Obviously, the audience does matter, and we want them to enjoy themselves -- we aren't sadists, after all! But we also aren't liars that take cheap shots. If are real with no expectation for laughter or applause, the viewers will naturally join us in that honest space. After that, any applause or laughter is simply a side benefit.
For any improviser, what I've written here is not new or revelatory, but it is what I've been enjoying and learning as I've taken classes. Tonight, I'm getting ready to perform in my second of four showcases with my class. Here goes! I'm continue to improve as I improv (again, pun, avoid at will). For now, it's great to keep playing in this sandbox.






